Little Bunny is Two and a Few Tips for “Mom-tographers”

Mommy moment.  My littlest is two today.  She brings joy, cuddles, sweetness, and love to our house every day and we are so thankful to God for this precious little girl.  He is so good to give us such a good gift.

Sarah Gray Photography | Tallahassee, FL Mom-tographer

Sarah Gray Photography | Tallahassee, FL Mom-tographer

On a side note, a friend texted me yesterday and asked if it would be a good day to take her daughter outside and snap a few valentine’s pictures.  The day was overcast and nice but difficult to tell if it would rain or not.  My reply to her was a definite, YES!  In fact, her text is what prompted me to take my birthday girl outside and snap the above pictures after her afternoon nap.

Overcast days are great opportunities for picture practice with little ones for several reasons.  There will be a nice, natural diffused light thanks to mr. cloudy which means that you don’t have to worry about weird shadows ruining your photos.  Even with a great overcast sky there are still a few things you can do to improve the pictures you take of your fast paced child.  Biggest tip – have them look UP.  Take a look at the picture-quad up there of my little girl.  Notice how the top RIGHT photo is cute as can be but there are still some dark “raccoon” areas around her eyes and shadows under her chubby cheeks.  This is because I was squatted down and looking straight across to her through my camera.  Usually, getting down on a child’s level to photograph them is a good thing, however, when you can take advantage of a beautiful overcast sky, by simply having them look UP you’ve done three things, 1) eliminated the shadows around their eyes, nose, and cheeks/jaw;  2) you’ve easily brightened their entire face and softly lit it with diffused skylight / cloud-cover; and 3) my favorite… you’ve allowed for a beautiful catchlight to enter their eyes as in the very first image of this post and the bottom RIGHT picture in my photo-quad.  By just getting above your child and looking down to them as you do all day as a parent, you photograph their small frame from the perspective you see it daily  and, on an overcast day, you’ve got a dang good picture to show for it.

So, get out there mom-tographers!  Grab that DSLR that you got for Christmas and try photographing your kiddos on an overcast day… there will be plenty of them in the coming months.

I leave you with a little video of us singing happy birthday to our birthday girl.  I love her little “hand dance” at the end of the video.  Gosh I love this girl.

[youtube=https://youtu.be/50CZzoSNtR8]

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sarahgrayphoto

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Maternity • Newborns • Babies • Family
Photographer based in Tallahassee, Florida
Master Baby, Family, and Maternity Photographer awarded by @napcp

We finally hung curtains in our house.

I`d been putting it off for months. Every time I thought about it, I talked myself out of it - we`d just redone so many walls and the last thing I wanted was more holes. But once we actually did it, the blackout curtains went up, we started sleeping so much better, and I felt silly for waiting as long as I did.

And then I thought about all the people sitting on booking a photography session for basically the same reason.

The process feels like a lot until it isn`t. And then you wonder why you waited.

If you`ve been meaning to reach out and just keep not doing it - hi. The link is at sarahgray.com/contact. It takes two minutes and that`s the hardest part.

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Open post by sarahgrayphoto with ID 18636051754001032
We finally hung curtains in our house. I'd been putting it off for months. Every time I thought about it, I talked myself out of it - we'd just redone so many walls and the last thing I wanted was more holes. But once we actually did it, the blackout curtains went up, we started sleeping so much better, and I felt silly for waiting as long as I did. And then I thought about all the people sitting on booking a photography session for basically the same reason. The process feels like a lot until it isn't. And then you wonder why you waited. If you've been meaning to reach out and just keep not doing it - hi. The link is at sarahgray.com/contact. It takes two minutes and that's the hardest part.

Can we talk about the matching family photo?

I`m not against it in principle. I`ve seen it work. But I`ll be honest with you: identical outfits can flatten the individuality of each person in the frame. Everyone ends up looking like a set instead of a family.

What I always encourage is coordinated, not matching.

Cohesion without uniformity. Everyone looks like they belong in the same photo - but each person still looks like themselves. Mom isn`t dressed like a grown up version of her daughter. Dad doesn`t look like he raided his son`s closet.

The goal is harmony, not a uniform.

A few ways to pull this off without overthinking it: start with one anchor piece - usually mom`s outfit - and build the palette outward from there. Repeat one or two colors across the group without repeating the exact same clothing. Let textures and silhouettes vary.

The result is a family photo that actually looks like your family.

5 0
Open post by sarahgrayphoto with ID 18133048678736006
Can we talk about the matching family photo? I'm not against it in principle. I've seen it work. But I'll be honest with you: identical outfits can flatten the individuality of each person in the frame. Everyone ends up looking like a set instead of a family. What I always encourage is coordinated, not matching. Cohesion without uniformity. Everyone looks like they belong in the same photo - but each person still looks like themselves. Mom isn't dressed like a grown up version of her daughter. Dad doesn't look like he raided his son's closet. The goal is harmony, not a uniform. A few ways to pull this off without overthinking it: start with one anchor piece - usually mom's outfit - and build the palette outward from there. Repeat one or two colors across the group without repeating the exact same clothing. Let textures and silhouettes vary. The result is a family photo that actually looks like your family.

It`s the night before your session.

You`ve had weeks to plan this. Weeks. And yet here you are, every piece of clothing you own spread across the bed, asking your partner if navy and olive `go together` and Googling `what to wear for family photos` at 10:47pm.

Completely normal. You are not alone. I have heard this story more times than I can count, and it almost always has a happy ending.

But if you`re in the planning phase right now and not yet in the panic phase - this is your sign to take thirty minutes this week and actually sort it out. Future you will be so relieved.

And if you`re my client, you have a lot of info at your fingertips in the Prep Guide sent to you when you booked with me.

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Open post by sarahgrayphoto with ID 18096578597533677
It's the night before your session. You've had weeks to plan this. Weeks. And yet here you are, every piece of clothing you own spread across the bed, asking your partner if navy and olive 'go together' and Googling 'what to wear for family photos' at 10:47pm. Completely normal. You are not alone. I have heard this story more times than I can count, and it almost always has a happy ending. But if you're in the planning phase right now and not yet in the panic phase - this is your sign to take thirty minutes this week and actually sort it out. Future you will be so relieved. And if you're my client, you have a lot of info at your fingertips in the Prep Guide sent to you when you booked with me.

Here`s the framework I share with every family I work with:

The location is the canvas. Your family is the subject. Your clothing is the paint.

Get the paint right, and everything comes together. Rush it, and even a beautiful Tallahassee evening can fall a little flat in the final images.

That doesn`t mean you need a stylist or a big budget. It means you need a plan and a few principles that actually hold up in real life - with real kids and real closets.

Start with a neutral base. Creams, tans, soft whites, warm grays. These anchor your palette and keep the focus on faces and connection, which is the whole point.

From there, bring in color intentionally. Neutrals with soft blues. Neutrals with blush or sage. Warmer tones in fall - mauve, khaki, olive - especially at a location like Alford Park, where the foliage does a lot of work for you.

Add texture wherever you can. A knit next to a satin blouse. A linen shirt next to a tweed jacket. Texture creates visual depth in a way that flat, solid fabrics just don`t. It`s one of those things that reads beautifully in prints and most families don`t hear about until someone tells them.

Keep patterns small if you use them at all. A delicate floral, a fine stripe, a subtle check - all great. Large, bold patterns pull focus away from faces, and that`s never what we`re going for.

Outfit planning is one of the highest-leverage things you can do before your session. I promise it`s worth the attention.

5 0
Open post by sarahgrayphoto with ID 17904023511579995
Here's the framework I share with every family I work with: The location is the canvas. Your family is the subject. Your clothing is the paint. Get the paint right, and everything comes together. Rush it, and even a beautiful Tallahassee evening can fall a little flat in the final images. That doesn't mean you need a stylist or a big budget. It means you need a plan and a few principles that actually hold up in real life - with real kids and real closets. Start with a neutral base. Creams, tans, soft whites, warm grays. These anchor your palette and keep the focus on faces and connection, which is the whole point. From there, bring in color intentionally. Neutrals with soft blues. Neutrals with blush or sage. Warmer tones in fall - mauve, khaki, olive - especially at a location like Alford Park, where the foliage does a lot of work for you. Add texture wherever you can. A knit next to a satin blouse. A linen shirt next to a tweed jacket. Texture creates visual depth in a way that flat, solid fabrics just don't. It's one of those things that reads beautifully in prints and most families don't hear about until someone tells them. Keep patterns small if you use them at all. A delicate floral, a fine stripe, a subtle check - all great. Large, bold patterns pull focus away from faces, and that's never what we're going for. Outfit planning is one of the highest-leverage things you can do before your session. I promise it's worth the attention.

Memberships and Affiliations

Sarah Gray Photography | Professional Photographer of America Member
Sarah Gray Photography | The Motherhood Anthology Member
National Association of Professional Child Photographers Member 2026-2027

Sarah Gray creates timeless and joyful images that are designed for living room walls and photo albums. A tallahassee photographer, Sarah Gray also serves Thomasville, Crawfordville, St. Marks, Gainesville and throughout the Forgotten Coast and panhandle of north Florida and south Georgia.

email us | sarah@sarahgray.com

telephone (850) 328-3258

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located in tallahassee, florida