The Hubby


This handsome man is my husband.  He stands by my side and watches our kiddos on Saturday mornings while I’m out doing my craft.
Funny story, one of our first Valentines Days, he picked me up to go out to dinner. He was dressed nicely and I answered the door to him with his hands behind his back. Honestly, I was expecting flowers, because, well Valentines Day. When he pulled his hands out from behind his back he was holding…. a bucket of vegetables nestled in tissue paper. I didn’t really know what to think. Typically a girl expects flowers, or chocolates, or some other pretty gesture. I’d never put it together that we link these things because we think something along the lines of, “these flowers are pretty. He thought of me when he picked out these flowers. He thinks I’m pretty like these flowers are pretty.” I realize that reduces the appearance of my thought process down to something embarrassingly simple, and I have not excuse for that. I’d never analyzed before why I wanted flowers for Valentines Day.
HIS thinking was quite the opposite. He wanted to show me a thoughtful gesture, not like all those other dudes “running by Publix on their way home to pick up some flowers for their wife or girlfriend” (I’m guessing he assumed this appeared thoughtless to be done so last minute and without planning on their parts). No, he wouldn’t be like them (although he was because he was in Publix to get flowers when he decided he thought he’d be lame to do the same as every other guy), so instead, he selects various veggies that he knows I’ll be able to use for cooking, because he knows I like to cook. There are obvious flaws in this thought process, but in hindsight I can’t fault him for trying. The day he gave me this bucket of veggies, I didn’t think of any of that, 19 year old Sarah only saw, “veggies. Vegetables aren’t pretty. He doesn’t think I’m pretty.” (also a thought process full of obvious flaws, but… you know, 19 years old). I can remember literally chocking back tears  as I tried to tell wether or not he was serious with his gift.  When he looked at me with such care in his eyes, I realized he was. I had a hard time chocking back tears all evening. We ended up having a lovely dinner at a local restaurant.
A few months later I finally told my best friend about his gift. I’d been too embarrassed to share it in fear of what she would think of him. I know he meant well, but I just couldn’t help but have been hurt by it. I eventually told him how it made me feel and we moved past it.
As a gesture of proof at how far we’ve come since those early, emotional, naive days, he jokingly includes the ugliest root vegetable he can find along with beautiful flowers each Valentines Day. We laugh realizing how young were were, how ridiculous we were, how much life has changed, and how unimportant that event was in the grand scheme of things. <3
 

We finally hung curtains in our house.

I'd been putting it off for months. Every time I thought about it, I talked myself out of it - we'd just redone so many walls and the last thing I wanted was more holes. But once we actually did it, the blackout curtains went up, we started sleeping so much better, and I felt silly for waiting as long as I did.

And then I thought about all the people sitting on booking a photography session for basically the same reason.

The process feels like a lot until it isn't. And then you wonder why you waited.

If you've been meaning to reach out and just keep not doing it - hi. The link is at sarahgray.com/contact. It takes two minutes and that's the hardest part.
Can we talk about the matching family photo?

I'm not against it in principle. I've seen it work. But I'll be honest with you: identical outfits can flatten the individuality of each person in the frame. Everyone ends up looking like a set instead of a family.

What I always encourage is coordinated, not matching.

Cohesion without uniformity. Everyone looks like they belong in the same photo - but each person still looks like themselves. Mom isn't dressed like a grown up version of her daughter. Dad doesn't look like he raided his son's closet.

The goal is harmony, not a uniform.

A few ways to pull this off without overthinking it: start with one anchor piece - usually mom's outfit - and build the palette outward from there. Repeat one or two colors across the group without repeating the exact same clothing. Let textures and silhouettes vary.

The result is a family photo that actually looks like your family.
It's the night before your session.

You've had weeks to plan this. Weeks. And yet here you are, every piece of clothing you own spread across the bed, asking your partner if navy and olive 'go together' and Googling 'what to wear for family photos' at 10:47pm.

Completely normal. You are not alone. I have heard this story more times than I can count, and it almost always has a happy ending.

But if you're in the planning phase right now and not yet in the panic phase - this is your sign to take thirty minutes this week and actually sort it out. Future you will be so relieved.

And if you're my client, you have a lot of info at your fingertips in the Prep Guide sent to you when you booked with me.
Here's the framework I share with every family I work with:

The location is the canvas. Your family is the subject. Your clothing is the paint.

Get the paint right, and everything comes together. Rush it, and even a beautiful Tallahassee evening can fall a little flat in the final images.

That doesn't mean you need a stylist or a big budget. It means you need a plan and a few principles that actually hold up in real life - with real kids and real closets.

Start with a neutral base. Creams, tans, soft whites, warm grays. These anchor your palette and keep the focus on faces and connection, which is the whole point.

From there, bring in color intentionally. Neutrals with soft blues. Neutrals with blush or sage. Warmer tones in fall - mauve, khaki, olive - especially at a location like Alford Park, where the foliage does a lot of work for you.

Add texture wherever you can. A knit next to a satin blouse. A linen shirt next to a tweed jacket. Texture creates visual depth in a way that flat, solid fabrics just don't. It's one of those things that reads beautifully in prints and most families don't hear about until someone tells them.

Keep patterns small if you use them at all. A delicate floral, a fine stripe, a subtle check - all great. Large, bold patterns pull focus away from faces, and that's never what we're going for.

Outfit planning is one of the highest-leverage things you can do before your session. I promise it's worth the attention.

Memberships and Affiliations

Sarah Gray Photography | Professional Photographer of America Member
Sarah Gray Photography | The Motherhood Anthology Member
National Association of Professional Child Photographers Member 2026-2027

Sarah Gray creates timeless and joyful images that are designed for living room walls and photo albums. A tallahassee photographer, Sarah Gray also serves Thomasville, Crawfordville, St. Marks, Gainesville and throughout the Forgotten Coast and panhandle of north Florida and south Georgia.

email us | sarah@sarahgray.com

telephone (850) 328-3258

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located in tallahassee, florida